CNTV 507x Production I is designed to introduce the fundamental principles of motion picture production. The course involves instruction, projects and readings in directing, cinematography, editing, sound design and production management. Each student makes five Super 8mm non-dialogue films using his or her own equipment. Students must provide their own Super 8 camera, tripod, projector, viewer and splicer and approximately $500 for film and processing. A tape recorder is highly recommended. CNTV 507x is taken concurrently with 501 and 528 in the first semester.
In CNTV 508x Production II, students working in crews of two produce two non-dialogue 16mm film projects whose primary goal is to communicate through sound/image relationships. Each student directs and prepares the soundtrack for the project he or she has written and is cinematographer and editor for his or her partner's project. It is mandatory for students to form their own partnerships. Most equipment and materials are provided by the school, but there are other expenses associated with the projects produced in CNTV 508x. Approximately $1,000 should be budgeted by the student for the purchase of personal equipment, supplies, transportation, props, and so on. CNTV 508x is taken concurrently with CNTV 502 and CNTV 529 in the second semester.
Students must earn a minimum grade of C (2.0) in CNTV 507x and 508x to continue in the Master of Arts program. Students who earn lower than C (2.0) in any required CNTV course may retake the course once with the approval of the departmental committee. CNTV 507x and 508x are preparatory courses and will not count toward the total 34 units required for the degree.
Students who do not satisfy the degree requirements after repeating a CNTV course will be disqualified from the program.
Year One, First Semester | Units | |
CNTV 501 | History of the International Cinema: Silent Film | 2 |
CNTV 507x | Production I | 6 |
CNTV 528 | Screenwriting Fundamentals | 2 |
Second Semester | Units | |
CNTV 502 | History of the International Cinema: Sound Film | 2 |
CNTV 508x | Production II | 6 |
CNTV 529 | Intermediate Screenwriting | 2 |
Year Two, First and Second Semesters | Units | |
CNTV 506 | Visual Expression | 2 |
CNTV 546L | Production III (non-directing capacity) | 6 |
Six units from the following: | ||
CNTV 484 | Advanced Multi-Camera Television Workshop | 2 or 4 |
CNTV 531 | Planning the Produc-tion (prerequisite to develop a CNTV 546L project) | 2 |
CNTV 532 | Intermediate Directing (prerequisite to qualify to direct a CNTV 546L project) | 2 |
CNTV 533ab | Writing the Feature Script (students planning a script thesis should take CNTV 533a and 533b in their second year) | 4-2 |
CNTV 534 | Intermediate Production Design | 2 |
CNTV 535 | Intermediate Editing | 2 |
CNTV 537 | Intermediate Cinematography | 2 |
CNTV 538 | Intermediate Producing | 2 |
CNTV 539 | Intermediate Graphics | 2 |
CNTV 540 | Intermediate Sound | 2 |
CNTV 542 | Intermediate Electronic Imaging | 2 |
CNTV 543 | Intermediate Computer Animation | 2 |
CNTV 551 | Planning the Advanced Production (prerequisite for 586L and 581) | 2 |
CNTV 552 | Advanced Directing | 2 |
CNTV 553 | Advanced Screenwriting | 4 |
CNTV 554 | Advanced Sound | 2 |
CNTV 555 | Advanced Production Design | 2 |
CNTV 556 | Advanced Editing | 2 |
CNTV 557 | Advanced Cinematography | 2 |
CNTV 558 | Advanced Producing | 2 |
CNTV 559 | Advanced Graphics | 2 |
CNTV 563 | Advanced Computer Animation | 2 |
CNTV 568 | Advanced Electronic Imaging | 2 |
CNTV 572 | Practicum in Directing Actors for Film | 2-4 |
CNTV 574 | Advanced Seminar in Directing Actors for Film | 2 |
Four units must be taken from the following critical studies courses: | |||
CNTV 464 | Film Genres | 4 | |
CNTV 469 | Film Style Analysis | 4 | |
CNTV 510 | Case Studies in National Media | 4 | |
CNTV 511 | Seminar: Non-Fiction Film/Video | 4 | |
CNTV 518 | Seminar: Avant-garde Film/Video | 4 | |
CNTV 564 | Seminar in Film Genres | 4 | |
CNTV 567 | Seminar in Film and a Related Art | 4 | |
CNTV 569 | Seminar in Film Style Analysis | 4 |
A thesis must be submitted in one of the following forms:
(1) A feature-length screenplay (students must complete CNTV 533ab Writing the Feature Script prior to beginning a film script thesis).
(2) A thesis film or video (CNTV 531 and 546L are prerequisites for a film or video proposal); thesis films or videos are intended for projects that are commercially and independently funded outside of the university. As such, these projects do not qualify for USC resources, facilities or equipment.
(3) A written thesis which usually entails research in the area of film or television production.
All thesis proposals (script, film, video or written research thesis) must be approved by the Cinema-Television Graduate Committee. Guidelines for script and film/video production theses are established by the Cinema-Television faculty and are published annually. Each thesis project must be supervised by a guidance committee consisting of three of the full-time production faculty.
Students planning to choose a written or screenplay thesis should also consult the Format for Theses and Dissertations section of the most current USC Catalogue.
Produced by the USC Division of Student Affairs, Office of University Publications, May 1, 1995